For the past year or so, I have been working on an important piece of music, which really has been a long hard journey. I started recording in November for a demo and did all of the guitar work and drums. Over the past month or two, my brother Jay (who goes under the name LarksTongue on here) added bass and keyboards (along with some preliminary mixing and fixing my stupid errors).
Though I have yet to record my vocals for the song yet, we have decided to unveil a working demo of the song. Of course, there are some fixes to the mix to be made and other things to be added, but we felt it was in a state to "road test" it on you guys.
Although I have had many different influences throughout, my primary ones would have to be the guitar work of Andrew Latimer (his use of the harmonic minor scale is absolutely beautiful) and Allan Holdsworth (perhaps the greatest guitar player to walk the earth).
"The Man In The Background" begins with the sounds of guitar chords fading in (resembling an organ or keyboard sound). The first 7 or so minutes of the piece are very much fusion based, which is how I've been writing recently. Throughout, there is a progressive edge to the song, with varying time signatures and instrumentation. The second 2/3 of the song are composed of a very progressive solo section which, in addition to vocals to be added later, features several guitar, synth, and bass solos. I hope you all enjoy it, and please let me know what you think!
0:00- Beginning of the song (duh!), but also faded in guitar chords 0:44- Introduction of rest of instruments 3:10- First Synth Solo 4:07- Start of 6/8 section, featuring harmonized guitar interplay 6:55- Guitar parts that sound like the howling in hades 8:55- Crazy odd time signatures synth solo 9:28- Crazy odd time signatures guitar solo 11:49- Bass solo featuring fretted and fretless bass playing 12:37- 2nd guitar solo (harmonic minor solo) 14:01- Section that Jay calls "hell" because there are so many harmonizing guitar parts that it made mixing a living hell 15:03- Final guitar solo 19:26- Return of the main theme 19:55- Big, out of key, final chord 20:12- End
As a side note, my brother and I have been working at cutting down the repetition in the song, creating new synth and bass parts, and more, so I hope to have an updated, closer to the final edit, version of this song soon.
What do you call an alligator in a vest? An investigator.
I have downloaded the song (the flac version of course) :) and skipped through it. It's still too soon to have a funded opinion about it, but I will reply soon, as soon as I listened to the track a couple of more times.
OK, listened some more to it and I think I can say some things about it now.
Disclaimer!: Everything below that may sound negative is meant as constructive criticism, of course. If I thought this track was a piece of crap, I wouldn't have taken the effort to write this post. :)
- I think the sound is a bit clean. That's probably due to the fact that it's a demo. I'd prefer it to sound a bit more 'alive', more 'natural'. F.i., this sounds a bit like a Larry Carlton studio recording, as opposed to a Led Zeppelin studio recording (the latter sounds a lot better, imho). It's a bit hard to describe but hopefully you'll know what I mean. But again, this is a demo, and demos normally sound a bit more clean than the final product. The drum machine also contributes to this clean sound.
- Speaking of drums: I didn't like double bass part. That's a matter of taste, of course, and I admit I'm never too fond of double bass (except when it really fits, like in some kinds of metal). But in this track I didn't really think it added to the atmosphere.
- You already wrote that some parts are quite repetitive. This could become boring after a while. It's a long track! :) But, you also said you're still working on lyrics. These "boring" repetitive parts seem to lack something, and I guess a melody line over these parts will improve it a lot.
- The guitar solos are very cool. The bass is very cool too, but sounds a bit too 'thin' for my taste. I like it when a bass sounds a bit fuller, heavier, "thicker", "fatter". The longer parts with the solos are very good and could have been even longer for me. :) Also the Thin Lizzy-like sounding double guitar solos are great.
- The rhythm and mood changes of the different sections are great.
- Some parts may differ a bit more in terms of dynamics - now there's not that much difference between certain parts, you could add some more excitement by using dynamics more. Not that there's no difference in dynamics at all, but the song might be better off if you'd use it more.
I'm looking forward to hearing this track played live, performed by musicians only (also a drummer), grooving on the solo parts, going on for 45 minutes or so. ;)
I recommend all other users here to give this a listen. It's a great piece of work (in progress, which makes it even more interesting). I'm curious what other people think of it.
Well, I can't say that I have been pro-active with the song these days. As you saw, the AirBorn stuff has been taking up much of my time, and honestly, I have sort of lost touch with my own music. This song is obviously one that features much repetition and not tastefully either. Thanks for the feedback by the way!
What do you call an alligator in a vest? An investigator.